Mirage
Archival Pigment on Hahnemühle Pearl paper,2020
This series of works attempts to establish the potential connection between two-dimensional image language and three-dimensional spaces in an experimental way, which is based on imagination, visual experience, and personal subconsciousness.
I segmented and reorganized the image materials accumulated in a specific period, digging out the power from the montage that I did not feel when shooting. These fragmented images focus on the natural disciplines of materials, hidden corners, and also dissociation and self-cognition of physical bodies in different states such as liquid, solid, gas, etc.
These fragments also constitute the complete me for some time and are a duration state of memory and emotion for the time spent.
I will choose those scenes (a place always behind the light) that I have been paying attention to. This marginalized scene gives me a sense of powerlessness, order， and oppression. My intervention and reconstruction of these scenes also depict my adaptation, struggle, contradiction, compromise，and paradox in the collective consciousness as an individual.
Photography, as the final presentation medium, gives the viewer a vantage point of viewing space, it is hoped that a dialogue with the viewer could be rendered with my narration.
这一系列的作品试图用一种实验的方式建立起关于二维图像语言于三围空间之间的潜在联系，这种联系基于想象，基于视觉经验，基于个人的潜意识. 我将一段特定时间内所积累的图像素材进行分割，重组，挖掘拍摄时所不曾感受到的来自于蒙太奇的力量，这些碎片化的图像尝试关注于物质的机理，隐秘的角落，也来自于物理身体在液体，固体，气体等不同介质中的游离和自我认知。这些碎片也构成了一段时间内完整的我，以及是对完整的我所度过的时间 记忆 经历 情绪的一种绵延的状态。我会去关注和选择那些常常存在于“光”之后的场景，这种边缘化的场景给我一种无力感。我在相对有意识的状态下，选择了他认为与这些特定场景有潜在联系的材料，之后他又会在一种无意识的状态下去布置物理实体场景。这种过程某种意义上变成了他抽象的自画像。摄影作为最终的呈现媒介给予观者一个对空间观看的vantage point，希望用个人所建构的叙事与观者进行一场对话。
DOUBLE INTERVAVL - 幕间复象
